Anime is a special art-form, there’s no doubt about it. It’s
loved, hated, and mostly given confused looks by fans and non-fans over the
sheer amount of “what did I just watch?” that tends to happen in an anime. In
honor of both the announcement of a new Fairy
Tail anime, which will round out the series starting next year, as well as
this past week of reflection on the series, I figured now would be a good time
to unveil my favorite anime series!
Some might say that it’s unfair to put so many different styles
of series under one giant umbrella of just “anime.” And it’s true. The “Gundam”
shows are different in scope and style than something like Detective Conan, but we still call them both “anime.” And you
wouldn’t use one to get someone interested in the other, much like how I
wouldn’t use something like Jane the
Virgin to get someone into The
Walking Dead. It’s two separate genres, but has an overarching similarity.
Still, I think it’s fine to put all of them under one Top 10
list, acknowledging that all of these shows are very different in their own
way. Some will be similar in terms of overall genre, and I know one will be a
series that many people don’t really consider an anime.
Also keep in mind that this does not include movies or OVA
series, like Towa no Quan or Ghost in the Shell: Arise. Those are
different styles of storytelling, but I will concede and give one OVA series an honorable mention.
As such, on with the list!
10. Hunter x Hunter (2011)
This may not be technically fair to put on the list since
I’ve only just completed the Phantom Troupe Arc (as the show airs on Toonami),
but I have to put this somewhere on the list. It’s such an amazing series and
really highlights the strengths of the Shonen anime genre. It has all the same
tropes, but uses them in interesting ways. This is sort of a spoiler, but the
Phantom Troupe arc exemplifies this best by only having ONE true fight.
Everything else is one-sided matches that completely make sense. All of the
main characters are likable or, at least, you enjoy watching. The animation is
crisp and only gets better as the series moves along, allowing for excellent
fights in the Heavens Arena arc (including a particular rematch). The series
also excels in tension and ramping up the drama and stakes for the characters.
Each new arc adds an element to put our heroes at a deficit and it seems that
they only get by through luck, some variation of skill, or just their character
traits. The show doesn’t make compromises and doesn’t use random power-ups in
order to win the day. My favorite character of the show has to be Hisoka, as he
sort of stands as the tentpole of power for the group to try and reach, and
even he isn’t as strong as it gets. Unlike something like One Piece where you have to sit through a slog of episodes to get
to the good stuff, Hunter x Hunter throws
you straight into the adventure and gets you excited at each new turn.
9. One Punch Man
Oh yeah. This show is amazing. It’s high-speed action with
amazing comedy and THE WORLD’S GREATEST HERO: MUMEN RIDER.
Erm.
Anyway.
It’s an incredibly satire of the super-hero genre, and is a
much needed relief in the current era of “dark and gritty” super hero
television and film. Plus it’s a good satire of Shonen anime, as Saitama can do
everything a Shonen hero does but with none of the passion. He only gets a
little flicker of passion at the end of the first season, but it’s just the
slightest flicker. Every arc seems to highlight a major flaw in the Shonen
action genre while also keeping things fresh and unique. The animation is
basically flawless and, like I said, really lets the fast-paced action go wild.
The music is AMAZING and goes well with the series. Most of the comedy really
stems from the hijinks from the side characters as they play off of Saitama and
the incredulous idea that he can just one-shot anyone he comes across. If
you’re a big super-hero fan, this is a show I 100% recommend you check out.
8. Yu-Gi-Oh! 5Ds
Yes, Duel Runners are a ridiculous concept. “Card games on
motorcycles” blah blah blah but LISTEN. This show is cool…in fact, it’s super
cool. It takes all the silly concepts of Yu-Gi-Oh!
and lets them run wild, with over-the-top villains that have reasonable
backstories, an epic scale, ancient demons and monsters (mixed with futuristic high-tech),
incredible hair-dos for everyone, including the security guards, and some of
the best Duels the series has to offer. There’s an entire arc based on how
quick someone can activate their Duel disk and draw their hand—a Western style
showdown! That’s fantastic. Plus the characters are all, for the most part,
pretty cool, including the villains. Primo, one of the final villains, could
get a little grating but the other two were a fun time. Jack Atlas was a solid
anti-hero and a good little nod back to the days of Seto Kaiba, and Rex Goodwin
was a fantastic, cartoony villain.
The Duels were all exciting and while at times they could
get a bit wordy, when they were in the action it really got intense and fun. I
enjoyed that several of the characters couldn’t care less about the backstories
unless it mattered and it just allowed us to focus on the action. Plus, despite
some of the darker moments, this series was really colorful, brought on by the
riding Duels. They brought on good animation, mixed with CG, and allowed the
artists to do their thing. It was a solid blend of technology, which goes with
the theme of the show. And the mechanics brought on for fans who haven’t
watched since the old days aren’t too confusing, as they explain the basics of
Synchro Summoning pretty early on in the series. I’d definitely check it out if
you’re on a nostalgia trip for Yu-Gi-Oh!
7. Assassination Classroom
Who would have ever thought that a show about a group of
middle schoolers being tasked with killing their super-powered squid teacher
would have brought on such an emotional reaction by the final episode? This
show definitely focused more on the comedy aspects of things more than anything
else but when it got dramatic it was solid, and often transitioned well. It wasn’t
like some other series where the drama would be rudely interrupted by
unnecessary fan-service or character-breaking jokes. The show is also
incredibly colorful, which helped brighten the mood significantly in some of
the darker situations. The character development, for several characters, is
solid and comes naturally over the course of two seasons. And the pacing is
surprisingly well drawn out for a series that takes place over the course of a
year. It never feels like we’ve jumped over a significant amount of time
without some sense of consequence. If we’ve gone by like a month between
episodes, it’s shown by the kids being adept at their skills and showing signs
of improvement in their education.
The trio of main characters, Nagisa, Karma, and Kayano
really shine throughout the series, and not just because of their funny hair
colors that signify their status as main characters. Kayano’s character really
gets to shine in the second season while Nagisa and Karma’s friendship/ rivalry
forges on across the series, all headed to a major climax that was amazing and
showed how far they’d some. This is one of those series where, when it ended, I
was completely satisfied. I got a great beginning, middle, and end to the
series, and laughed a bunch along the way. Definitely not a show to miss if
you’re feeling down and need a good pick-me-up.
6. Gurren Lagann
YOU THINK I WOULDN’T PUT THIS HERE? WHO THE HELL DO YOU
THINK I AM?
(remarkably forced joke over, and…)
Gurren Lagann is
stupid. It’s ridiculous. It’s over-the-top in all the right ways. Yoko, Kamina,
Simon are incredible. The mechs are awesome, the fights are great, the music is
out of this world, and the animation backs all of it up. It’s another one of
those “wait why am I suddenly crying NO I WANT MORE” type of shows. I loved
watching it, and just ate all of it up. I’ll admit that after a certain point
it does dip but picks back up and takes from a relative 10 to cranking it up to
like 1,000,000.
Naturally.
The show is so charming in its simplicity at the surface
that you sort of miss out on some of the more complex issues going on
throughout the series. You realize that Simon isn’t as big a hero as he’s
touted and that he really “shouldn’t” be the one in charge of things. It’s the
reality that never hits certain series, where the hero charges forward without
a plan and then wins the day! This series asks “okay, then what?” and we get to
see that in interesting ways. Plus several of the side characters are both a
joy to watch and to see develop, like Viral, who is nothing more than some punk
in a giant mech suit at the start of things. Still, the show is inspiring as
all hell, with grand speeches and battles that literally involved throwing
galaxies at one another. And no, I’m not even kidding, it goes there. Gurren Lagann is definitely a show you
can’t just start and put down, you have to consume it chunks at a time. You
basically have to get physically tired in order to stop watching, it’s great.
5. Attack on Titan
It’s not the best show ever. Not even close. It’s rife with
problems and the narrative takes a major dip after a certain point, where
things seem to matter less and less until the very end (at least as far as the
first season goes). The second season starts slow and then manages to pick it
up. So why is it #5 on the list?
Because I like to watch it. A lot. I like to listen to the
music from the series a lot, too, and I’d be lying if there weren’t some
moments in the series that are THAT good. I’d name some but they’d be spoilers.
The second season in particular had a moment that, despite me seeing it coming,
was out-of-this-world amazing. The music, the art, the animation, the
voice-work, all of it came together perfectly. And I think that’s the crux of
the series. It’s pretty solid throughout but has several peaks of amazement
that you can’t help but stare in awe sometimes.
As redundant, at this point, as it is to mention the
animation, I’ll still bring it up because at the time it was stupendous and
even now it’s still fluid and so engaging to watch. I’ll never grow bored of
watching characters zip cleanly across the screen toward Titans.
I think one of the series’ biggest flaws is in it’s main
characters. Armin is the most interesting out of Eren and Mikasa; but, I think
the side characters definitely pick up the slack. Reiner, Bertholt, Ymir,
Annie, Sasha, Levi, and Erwin all add a level of intrigue (or in Sasha’s case,
humor) to what’s going on. With several of those characters, it’s a matter of
asking what insane idea they’ll go with next, while with others it’s a matter
of wondering what drives them, but in a good way. It’s their character
executing certain actions and leaving you wondering “but why?” and still being
engaged in what they’re doing. Having read ahead in the manga I know what’s
coming and I’m curious how they’ll pull it off, but I’m quite pleased with what
we’ve gotten so far.
4. Black Lagoon
I feel like Black
Lagoon doesn’t get the proper praise that it should. Yes it’s dark and
incredibly visceral, and yes, it has a mean spirit but it’s also a rich story
about finding yourself and trying to outsmart the world’s greatest criminal
minds in the world’s most dangerous island-city. Roanpur, at times, feels like
a character in and of itself, and houses some hilarious locations like the
Rip-Off Church. Black Lagoon also
isn’t short on incredible characters, from the Lagoon Company themselves to the
dastardly Balaika and Roberta, the most dangerous assassin in the world turned
into a…maid. Hmm.
Black Lagoon,
despite all the gloom and doom that Revy brings to things sometimes, has a lot
of bright, flashing colors as it lets the world explode around the characters
and freshens things up to bring them to life. These environments feel like
they’ve been around a long time, and will exist long after our characters die.
What Black Lagoon is, based on the
environment, is just a snapshot of one group’s misadventures. I feel like we could
look in on another mercenary group and see things from a different point of
view but have that same feeling.
Yet things would be different because the strength of the
show is in the company. Revy, Roc, Dutch, and Bennie have an incredible dynamic
and bring a new definition to “teamwork.” Physically speaking, only Revy and
Dutch can hold their own in a fight and several times they meet their match.
Bennie and Roc have to rely on their mental skills and even then, Roc is sort
of an idiot. The best parts of the show are the crew barely managing their way
out of a situation or absolutely dominating a situation as they show the true
darkness within them. Revy rescuing Roc from the Vietnamese captors is one of
the coolest images of the show.
Black Lagoon is also
a very visual show, relying on character expression or imagery to tell the
story of how our characters are developing. Revy and Roc’s interactions, while
containing some dialogue, are mostly handled through their actions; and as the
series progresses, it’s clear that Revy is softening up, but it’s hard to tell
if that’s good for her or not, as she’s lived in the pits of hell or so long
and that helps her with her work. If she loosens up, will that mean slipping up
and getting herself killed in the field?
This show is not for everyone—in fact, I think this series
is the very definition of that. It’s incredibly violent, dark, gloomy, full of
adult language and situations (drug use, sex, alcohol, rock and roll) and can
at time get pretty depressing. But there’s a journey going on here, an
incredible one, that’s hard not to get engaged with once the first couple
episodes are done. The moment Roc undoes his tie and orders Dutch to turn the
torpedo boat around to face the plane, that’s when the show gets going and
never stops. It’s a thrill-ride til the end.
3. Fairy Tail
In terms of quality I’ll concede that this show is easily
the worst on the list. It’s good with great moments and some really, really bad ones. But it’s so high up
here because it’s one of my favorite shows, simple as that. I love watching
random arcs or episodes from the series just to get a little kick from it. I
love the action, I love the characters, I love the music. It’s just a very fun
show to watch, but still with some powerful dramatic moments.
It’s hard to recommend this show to anyone that’s already
seen most Shonen anime series, especially with so many good new ones coming up
like My Hero Academia. This series
has the worst of those tropes mixed in with some nice new spins and good
characters. There are some arcs that are a little hard to get through but some
that are absolutely engaging. For me, Fairy
Tail, right now, stands on four major narrative pillars: the Edolas Arc,
the Tenrou Island Arc, the Grand Magic Games/ Dragon King Festival Arc, and
Tartaros Arc. It’s not that everything else doesn’t matter, but those four arcs
are legitimately great. The characters shine throughout those stories, and the
Tartaros Arc in particular is, in my opinion, one of the best Shonen anime arcs.
Period. It’s the shining achievement of the Fairy
Tail anime; it’s the Cell Games, it’s the Chunin exams (not saying it’s the
same quality as those two, I’m just saying it’s the same in relative terms).
And the show does have good themes, despite having them
played to death. Friendship, family, standing up for what you believe in,
sacrifice, loss, they’re all there and on display in one form or another. Some
characters (Erza, Natsu) beat the friendship idea into the ground but the
themes of loss and sacrifice (exemplified in Gray and Lucy) are so incredibly
strong at times, and it really shows as their characters as the ones that grow
throughout the series. It seems that every character arc on the show does have
merit, even if someone of them don’t last long. Natsu, unfortunately, sees
little development, much to the contrary to Wendy, Lucy, Gray, Erza, Cana, and
most especially Laxus and Gajeel, two of the series’ strongest fighters and
coolest dudes. Laxus probably has the best arc of all the good guys, seeing him
go from an impulsive child to one of the guilds best leaders and examples of
how strong they can be.
The fights in Fairy
Tail are all often pretty solid, even if they occasionally involve someone
getting one-punched or random power-ups. But even then, the best fights in the
series really hold strong. Gray fighting Silver is awesome and has a natural
resolution, Natsu fighting Future Rogue as they both stand atop dragons is
epic, and all the fights between and involving Dragon Slayers feels like it’s
on an equal playing ground. They’re not the best that the genre has to offer
but they offer good spectacle thanks to a variety of abilities.
Fairy Tail also
has good animation that gets much better with the 2014 season of the show, as
colors become less the focus and it’s more on the design of the characters and
the fights around them, allowing for battles to have that larger scale. The
colors aren’t necessarily muted, but thematically they’re downplayed as the
spirit of the show is suddenly silenced and things take turns for the worst at
every corner.
In the end, Fairy Tail
is fun and I never have a bad time watching it, even when it is just so bad.
Because it can get unbearable, but I know that it will get better. It’s just
another part of the show: trudging through the dark with hope that things will
get better, and they often do.
2. Cowboy Bebop
Best. Ending. Ever?
I’ve said it before and I’ll say it again: Cowboy Bebop is the best. It’s the best
show I have ever laid my eyes on. It’s a
series that has few rivals, it’s gripping, it’s powerful, it’s incredibly well
acted, it has some of the most memorable music and sound choices ever in a
television series. Cowboy Bebop is
the nirvana of television series. While mostly episodic, it tells the story of
a crew undergoing harsh times and finding a way to get through it while
maintaining a realistic atmosphere. Spike, as a guy, just can’t get close to
things, but he wants to. He desperately wants to. Faye Valentine is one of the
best femme fatales ever and is one of the coolest female characters ever. She’s
got a powerful heart and her motivation becomes clear as the series goes on,
just adding to her depth.
The best parts of Cowboy
Bebop are watching the evolution of the crew without the need for an overall
narrative. We get to see so many different stories, and I mean it, they’re all
different and carry different themes across the series, while we follow just
these same guys around and get to learn much more about them as they go. And
what makes all of this better?
They’re losers. Ed, Ein, Jet, Faye, Spike are all losers in
the eyes of who they come across as well as the politics of the solar system as
a whole. And they never win out. They
always come so close, but in the end, nothing. What’s great about that is that
this adds so much to their characters to always come so close and exemplifies
how they are in life. They can never win, but they keep trying no matter what.
The themes in Cowboy
Bebop are too many to count and some of the shows best moments are hard to
explain out of context, or without major spoilers. So, let’s talk about music.
This is a Western with jazz/ blues music as the background.
And it works! It works so well. It adds
to the mood, it adds to the ambience, it makes it difficult to think of the
series without such a rich score. The moment Spike whips out his gun in the
first episode it becomes clear that the score and the show will go hand-in-hand
perfectly.
And let’s talk about the animation because oh my God. Just.
Wow. It’s so clean, it’s so smooth. It looks like a movie at all times. Spike
moves across the screen like a real person, and all of the fights are so well
choreographed and drawn out. The ships move with a sense of real weight and
physics to them, and all without some super insane science-fiction tech.
Dogfights are fun and exciting, but aren’t too many, which is good. The
grounded action is where the show works best.
If you’ve been holding off on Cowboy Bebop because you don’t think it’ll look great or it won’t
hold up compared to modern anime then stop right there. You’re wrong,
absolutely wrong. In fact, in many ways with the remastered Blu-Ray, this looks
better than several modern anime. The
characters are memorable and I’ll never forget what an impact that ending left.
UGH.
What a show. See you, Space Cowboy, indeed.
Honrable Mentions!
Dragon Ball Z (Kai)
One of the only reasons that this didn’t land on the list is
because these shows, different, cause conflict in my eye. Overall, I think Dragon Ball Z Kai is a better show, as
there’s better animation, the Dub is far superior, and the music is solid. But
man, the moments of power in Dragon Ball
Z are just so good! Gohan’s transformation to Super Saiyan 2, Goku’s
initial Super Saiyan Transformation, Vegito, it’s all so well done with the
sound they had at the time! I wish there were a perfect mix of the two, because
it would easily land a spot on my list.
Hellsing Ultimate
Ah, there’s that OVA series I mentioned. I don’t think this
would make the list anyway, but I really enjoy watching this series, to
whatever extent, every Halloween. It’s a gory, action-filled mess that’s just a
blast to watch. Alucard is an awesome OP character, the Major is a great
villain, and even Seras has a decent arc as the series progresses. The best
parts of the series are the fight sequences and basically all of them are
memorable. If you can stomach bucket-loads of blood and gore and want some
crazy action, this is a series for you!
Attack on Titan Junior High/ Koro Sensei Quest
I’m grouping these together because they’re effectively the
same thing: a brief series recapping the events of the show they’re parodying.
And they’re hilarious! It’s a delight to watch little chibi versions of the
characters play out a comedy of errors based on the events of the original
series. They’re most effective if you’ve watched the previous shows already, as
you get all of the jokes ahead of time, but can be good times if you’re cynical
and want to hate on a couple of popular series.
And now, the conclusion.
1. Fate/ Zero
What a surprise! It’s not like I have, what, four different
posts on this site about this anime? Yeah. I love this show. Sometimes, I don’t
know why. It’s morose, depressing, dark, often mean-spirited, so, why would I
like that over something colorful and fun?
Character. Character character character.
The characters are what make Fate/Zero. All of them are unique, all of them have great
motivation, and all of them are INCREDIBLY interesting. One of the best
episodes of the series involves Archer, Saber, and Rider just sitting around
and drinking wine. The best interactions between Saber and Lancer are their
talks about chivalry, knighthood, and their goal for the Holy Grail.
Kiritsugu’s actions and Kirei’s intense studying of Kiritsugu heightens their
rivalry to the point that you forget these two only ever meet ONCE in the
entire series. Archer’s manipulations slowly infecting Kirei, only for you to
question if Archer was the catalyst for something much larger at play?
The character play creates some fantastic drama that you
cannot take your eyes off of. I recently decided to watch Fate/Zero, thinking I could just stop when I wanted (around the
battle at the river) and found myself almost finishing the show later that day.
What. How? I’ll tell you how:
These characters are so good and play off of each other so
well that you have to know what happens next. And each of them create the
themes of the show, and exemplify them so well. Saber represents the theme of
redemption, Kiritsugu represents the theme of loss, Kirei is carries the theme
of the true darkness of humanity, Rider carries the grand adventure of the war,
and Lancer carries the theme of chivalry. They all clash and create various
intricacies with the characters. What little interactions Kiritsugu and Saber
have are filled with tension because the two are such polar opposites in their
ideals and yet they basically want the same thing, they’re just too blinded by
their own egos and mindsets to see it.
Plus, you get to see this huge, epic war from so many
different perspectives. Waver is basically what any normal person would be in
the face of all these incredible heroes from across time engaging in huge,
grandiose battles. Irisveil shows us the innocence of the war, and the El-Milloi
side of things is how corrupt and power-hungry one can get when given the
chance to possibly have the power of
God at their hand.
The second season, when bodies start dropping, is when
things really pick up and as characters are killed, we really get to focus in
one a select group and learn just what it is that drives them and how they plan
on executing their final stage of the game. And let me tell you: Kiritsugu’s
two episode origin story is the best. It’s simply fantastic, and tells you
everything you need to know going forward toward the third act. Plus we get
into the head of Saber as she continues to wonder what Rider’s words mean to
her and then there’s Waver and Rider’s relationship and AGH. It’s amazing.
Have I mentioned the art and animation yet? Because oh my.
Of all the shows I’ve talked about this is easily the best looking and I think
it’s only ever been surpassed by Fate/Stay
Night unlimited blade works, which came out in 2014/2015. Ufotable, the
animation studio, does some amazing work and Fate/Zero might be the pinnacle, masterfully mixing CGI with
hand-drawn animation. The fights here are stupendous and colorful, and you
never lose track of what’s really going on. The characters have unique designs
and basically all of the badasses look totally badass.
The score is one of the best out there, maybe the best. It’s
got everything and always goes with the mood, carrying scenes forward and makes
it impossible to imagine without that sound. Yuki Kajiura is one of the best
out there, there’s no doubt about it. I love listening to the score and it
often drives home the tears in an emotional scene, particularly near the end as
everything is going straight to hell and you just can’t handle it anymore.
Fate/ Zero is
another “not for everyone” shows because it goes to some pretty messed up
places, but by the end, you realize that the show is about one thing: Hope.
Hope for a better tomorrow and doing whatever you can to make that happen. It’s
a hope for the future and a hope that, eventually, the world will come around
and that you will have made a difference.
And that's it! My ten favorite anime. I'm sure this list will change (if my growing attraction toward My Hero Academia has anything to say about that, anyway). Each of these series, as you could probably tell, connected with me on a very emotional level, and if you find yourself interested at all, I highly recommend jumping right into one! Hopefully you have just as good a time as I did, and if not, maybe you'll find something you like a little better.
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